阿诺菲尼的婚礼(The Arnolfini Portrait) 乔凡尼.阿尔诺菲尼夫妇肖像画(Giovanni Arnolfini and His Wife)，杨·凡·艾克(Jan van Eyck)1434年的作品。
阿尔诺菲尼的妻子常常被误认为是怀孕了，实际上她只是拾起裙角在胸前，是当时的一种流行。乔凡尼.阿尔诺菲尼来自一个商贾家族，从饰物以及房间的陈设不难看出他是相当富裕的。
象征主义
●伦理
　　两人物位置的设定表达传统的两性角色定位。妻子站在床边，靠房间的内部，象征她的角色是家庭主妇。而丈夫乔凡尼则站在窗户旁，开启的窗户象征外面的世界。乔凡尼直接与观赏者对视，而他的妻子则温顺地瞥着丈夫。
●宗教
　　窗台下有水果，是桔子。象征伊甸园般的纯洁和天真。（如果换成苹果，意义则大为不同）。左下角的木底鞋暗指婚礼，传统上在圣土举行婚礼，丈夫要为妻子准备木底鞋。吊灯在白天亮起一根蜡烛，象征圣灵。
●世俗
　　画面下方的小狗象征忠诚，也为画面增添了活泼的气氛。红色的床铺意喻性和爱。而妻子的绿色外套和略胖的身材象征生命和繁衍。白色的头巾象征纯洁。

　　这幅画最精要也最著名的地方就是中间的这块镜子。从技法上讲，画家对光的折射，镜子凸面以及金属质感的表现极为细致，堪称西方绘画史上最杰出的经典之一。镜子中反射出新婚夫妇的背影以及门口的画家本人。而镜子上方是华丽的花体拉丁文：Johannes de Eyck fuit hic 1434，使得这幅画成为了一张结婚证明。

　This work is a portrait of Giovanni di Nicolao Arnolfini and his wife, but is not intended as a record of their wedding. His wife is not pregnant, as is often thought, but holding up her full-skirted dress in the contemporary fashion. Arnolfini was a member of a merchant family from Lucca living in Bruges. The couple are shown in a well-appointed interior. 

　The ornate Latin signature translates as 'Jan van Eyck was here 1434'. The similarity to modern graffiti is not accidental. Van Eyck often inscribed his pictures in a witty way. The mirror reflects two figures in the doorway. One may be the painter himself. Arnolfini raises his right hand as he faces them, perhaps as a greeting.

　Van Eyck was intensely interested in the effects of light: oil paint allowed him to depict it with great subtlety in this picture, notably on the gleaming brass chandelier.


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